The Michigan band satirically adopt Muslim stereotypes in their songs, pushing back against post-9/11 hate. As their incendiary debut is reissued, they explain their ‘evil’ music
‘I’m the m*********** who took down the towers,” screams Prostitute’s Moe Kazra on All Hail, opening their nightmarish, theatrical debut album Attempted Martyr. Over crushing fusions of industrial punk with elements of Middle Eastern, African and east Asian music, the band explores the vilification of Arabs in a post-9/11 US by inhabiting vicious characterisations – ones levelled at their Arab-majority community in Dearborn, Michigan. “A lot of Arabs in the area are coming to us and being like ‘that was very potent’, or ‘that was beautiful’. I didn’t really expect that,” says Kazra, who is Lebanese American. “The music is evil.”
The album’s lyric sheet, written by Kazra and drummer Andrew Kaster who join me on a call, is a flurry of violent fantasies, paranoid ramblings and literary references ranging from The Arabian Nights to Cormac McCarthy’s Blood Meridian. Written when they formed in 2020 but only self-released in late 2024, it became a sleeper hit with punk fans. Now signed to Mute, which will reissue the record this week, they are among the most exciting, unorthodox breakthroughs in recent American rock.
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