(Domino)
Featuring taunts in Welsh, ‘bard rap’ and spirited jigs, the British quartet’s ragged, rich music underpins their vision for change
What do you do when the world’s falling apart? Take to the streets? Run to the hills? The latest album by this British folk-rock quartet suggests that a blend of fantasy and realism can provide a better way of living.
Their best-known member, Richard Dawson, addresses Facebook-dwelling flag-fiends on Dead in a Post-Truth World – “the mythical country you claim allegiance of is gone / It was never here” – his grave toneoffset by Rhodri Dawson’s Welsh taunts in a nursery-rhyme melody. Between the euphoric singalong choruses of Scales Will Fall, Dawn Bothwell delivers what she calls “bard rap” – a steady vocal flow somewhere between spoken word and hip-hop – to decry capitalism and celebrate grassroots resistance. Another stunning, whirling chorus led by Sally Pilkington sits at the heart of End of the Rhythm, a spirited jig that lays out a manifesto for collective action. That collectivism is in the music itself: ragged yet richly populated arrangements of guitars, sax, trumpet and more, with plenty of guests (including children on flute and vocals).
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