‘The string section we got in thought I was the tea boy. When I asked for a psychedelic improvisation like A Day in the Life, they went: “Why is this guy telling us what to play?”’
We’d made our first album and were waiting for it to come out. But we wanted to carry on writing more stuff while we were in the mood. I even cut Christmas dinner short at my uncle’s in Brixton, London, so we could get back to the studio. We would work until we passed out, then I’d sleep underneath the mixing desk with my head in the bass drum, as that’s where the pillow was.
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