(Albert’s Favourites)
The multi-instrumentalist puts his magical spin on traditional Glamorgan tunes, fusing the past, present and future in a momentous third album
The traditional music of south Wales has rarely sounded as cosmic as it does in the hands of Huw Marc Bennett. The producer and multi-instrumentalist’s third album, Heol Las (Blue Street) takes traditional tunes from Glamorgan – known for its production of coal and steel, as well as its hills and rugged coastline – and submerges them in languid arrangements, touched by global influences and woozy doses of surf rock and sitar.
As Bennett’s album drifts from the industrial valleys to the Gower peninsula, it thrums with a fitting beauty and energy, Carol Haf (Summer Carol) opens proceedings with pastoral fingerpicking, before a drumbeat breaks the tune into a guitar solo like a meditative raga. Cân y Saer Maen (Stonemason’s Song) builds up a similar heavy magic in the interplay of fuzzy organ, acoustic and electric guitars. When a doomy bass note drops, Seth Bye’s fiddles add contrapuntal layers and the heady air thickens.
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